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	<title>OpenJournalist &#187; Cinema</title>
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	<link>http://www.openjournalist.com</link>
	<description>La risposta sta soffiando nel web</description>
	<pubDate>Sun, 05 Feb 2012 18:58:32 +0000</pubDate>
	
	<language>en</language>
			<item>
		<title>BALKANN BAZAAR - L&#8217;ESILARANTE FILM DEL KUSTURICA D&#8217;ALBANIA</title>
		<link>http://www.openjournalist.com/cultura/cinema/balkann-bazaar/</link>
		<comments>http://www.openjournalist.com/cultura/cinema/balkann-bazaar/#comments</comments>
		<pubDate>Sun, 26 Jun 2011 14:23:07 +0000</pubDate>
		<dc:creator>dimitribuffa</dc:creator>
		
		<category><![CDATA[Cinema]]></category>

		<category><![CDATA[Aggiungi nuovo tag]]></category>

		<category><![CDATA[Albania]]></category>

		<category><![CDATA[bare]]></category>

		<category><![CDATA[Edmond Budina]]></category>

		<category><![CDATA[Grecia]]></category>

		<category><![CDATA[tombe]]></category>

		<category><![CDATA[Un posto al sole]]></category>

		<guid isPermaLink="false">http://www.openjournalist.com/cultura/cinema/balkann-bazaar/</guid>
		<content:encoded><![CDATA[<span class="index-post"><a href="http://www.openjournalist.com/upload/78/441_0.jpg" rel="prettyPhoto" title="" alt="BALKANN BAZAAR"><img title="" alt="BALKANN BAZAAR" style="float:left" src="http://www.openjournalist.com/upload/78/441_0_mini.jpg"/></a><p>Imperdibile questo “Balkann bazaar”, film di un regista albanese Edmond Budina, che potrebbe essere la risposta locale a Kusturica in salsa vagamente macabra. La trama infatti parte dal mancato rientro di una bara di un cittadino francese e si dipana in mille disavventure in un paesino ai con ... <a href="http://www.openjournalist.com/?p=441" title="ContinueReading">&raquo;</a></p></span>]]></content:encoded>
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		<title>VENERE NERA - ALLE RADICI DEL RAZZISMO COLONIALISTA, UNA STORIA RIMOSSA</title>
		<link>http://www.openjournalist.com/cultura/cinema/venere-nera/</link>
		<comments>http://www.openjournalist.com/cultura/cinema/venere-nera/#comments</comments>
		<pubDate>Wed, 15 Jun 2011 07:01:27 +0000</pubDate>
		<dc:creator>dimitribuffa</dc:creator>
		
		<category><![CDATA[Cinema]]></category>

		<category><![CDATA[ABDELLATIF KECHICHE]]></category>

		<category><![CDATA[Aggiungi nuovo tag]]></category>

		<category><![CDATA[Georges Cuvier]]></category>

		<category><![CDATA[RAZZISMO]]></category>

		<category><![CDATA[Saartjie Baartman]]></category>

		<category><![CDATA[SUDAFRICA]]></category>

		<category><![CDATA[VENERE NERA]]></category>

		<guid isPermaLink="false">http://www.openjournalist.com/cultura/cinema/venere-nera/</guid>
		<content:encoded><![CDATA[<span class="index-post"><a href="http://www.openjournalist.com/upload/78/429_0.jpg" rel="prettyPhoto" title="" alt="VENERE NERA"><img title="" alt="VENERE NERA" style="float:left" src="http://www.openjournalist.com/upload/78/429_0_mini.jpg"/></a></p>
<p>Una storia terribilmente vera di razzismo e cinismo protrattasi dall’era del colonialismo ai giorni nostri. Un pugno allo stomaco dello spettatore che dura 150 minuti nelle sale a partire da venerdi prossimo , contro i 159 della versione vista nel 2010 al Festival di Venezia. “Venere ner ... <a href="http://www.openjournalist.com/?p=429" title="ContinueReading">&raquo;</a></span>]]></content:encoded>
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		<item>
		<title>24 maggio a Roma: Water makes Money - come le multinazionali fanno profitti sull’acqua</title>
		<link>http://www.openjournalist.com/cultura/cinema/24-maggio-a-roma-water-makes-money/</link>
		<comments>http://www.openjournalist.com/cultura/cinema/24-maggio-a-roma-water-makes-money/#comments</comments>
		<pubDate>Mon, 23 May 2011 07:17:15 +0000</pubDate>
		<dc:creator>Tommaso</dc:creator>
		
		<category><![CDATA[Cinema]]></category>

		<category><![CDATA[acqua bene comune]]></category>

		<category><![CDATA[referendum]]></category>

		<category><![CDATA[water makes money]]></category>

		<guid isPermaLink="false">http://www.openjournalist.com/?p=416</guid>
		<content:encoded><![CDATA[<span class="index-post"><a href="http://www.openjournalist.com/upload/5/416_0.jpg" rel="prettyPhoto" title="locandina WATER MAKES MONEY" alt="24 maggio a Roma: Water makes Money"><img title="locandina WATER MAKES MONEY" alt="24 maggio a Roma: Water makes Money" style="float:left" src="http://www.openjournalist.com/upload/5/416_0_mini.jpg"/></a><p><strong>Martedì 24 maggio</strong> al FUSOLAB di Via Giorgio Pitacco, 29 – <strong>ROMA</strong> si parlerà di come le multinazionali fanno profitti sull’acqua con la proiezione di “<strong>WATER MAKES MONEY</strong>“, un film di Leslie Franke e Herdolor Lorenz, 2010.</p>
<p>Il docume ... <a href="http://www.openjournalist.com/?p=416" title="ContinueReading">&raquo;</a></p></span>]]></content:encoded>
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		<title>IL RAGAZZO CON LA BICICLETTA - COMMOVENTI I FRATELLI DARDENNE, COME SEMPRE TRA I MIGLIORI AL FESTIVAL DI CANNES</title>
		<link>http://www.openjournalist.com/cultura/cinema/il-ragazzo-con-la-bicicletta/</link>
		<comments>http://www.openjournalist.com/cultura/cinema/il-ragazzo-con-la-bicicletta/#comments</comments>
		<pubDate>Wed, 18 May 2011 08:39:59 +0000</pubDate>
		<dc:creator>dimitribuffa</dc:creator>
		
		<category><![CDATA[Cinema]]></category>

		<category><![CDATA[BICICLETTA]]></category>

		<category><![CDATA[CANNES]]></category>

		<category><![CDATA[FRATELLI DARDENNE]]></category>

		<guid isPermaLink="false">http://www.openjournalist.com/cultura/cinema/il-ragazzo-con-la-bicicletta/</guid>
		<content:encoded><![CDATA[<span class="index-post"><a href="http://www.openjournalist.com/upload/78/412_0.jpg" rel="prettyPhoto" title="" alt="IL RAGAZZO CON LA BICICLETTA"><img title="" alt="IL RAGAZZO CON LA BICICLETTA" style="float:left" src="http://www.openjournalist.com/upload/78/412_0_mini.jpg"/></a><p>Un film commovente, che rappresenta uno dei temi sociali più sentiti in Francia, ma anche nel resto d’Europa, in questo momento, cioè l’abbandono dei figli da parte dei padri separati. E il tutto rappresentato con quel delicato tratto di macchina da presa che caratterizza i fratelli Jean-Pi ... <a href="http://www.openjournalist.com/?p=412" title="ContinueReading">&raquo;</a></p></span>]]></content:encoded>
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		<title>ESCE TATANKA, MA LA QUESTURA DI NAPOLI CENSURA LA SCENEGGIATURA - SEI MESI DI SOSPENSIONE AL PUGILE CLEMENTE RUSSO DELLE FIAMME ORO PER ESSERSI RIFIUTATO DI FAR MODIFICARE ALCUNE PARTI DELLA SCENEGGIATURA</title>
		<link>http://www.openjournalist.com/cultura/cinema/esce-tatanka-ma-la-questura-di-napoli-censura-la-sceneggiatura/</link>
		<comments>http://www.openjournalist.com/cultura/cinema/esce-tatanka-ma-la-questura-di-napoli-censura-la-sceneggiatura/#comments</comments>
		<pubDate>Sun, 08 May 2011 10:20:09 +0000</pubDate>
		<dc:creator>dimitribuffa</dc:creator>
		
		<category><![CDATA[Cinema]]></category>

		<category><![CDATA[CLEMENTE RUSSO]]></category>

		<category><![CDATA[PINO GAGLIARDI]]></category>

		<category><![CDATA[QUESTURA DI NAPOLI]]></category>

		<category><![CDATA[ROBERTO SAVIANO]]></category>

		<guid isPermaLink="false">http://www.openjournalist.com/cultura/cinema/esce-tatanka-ma-la-questura-di-napoli-censura-la-sceneggiatura/</guid>
		<content:encoded><![CDATA[<span class="index-post"><a href="http://www.openjournalist.com/upload/78/402_0.jpg" rel="prettyPhoto" title="il pugile Clemente Russo" alt="ESCE TATANKA, MA LA QUESTURA DI NAPOLI CENSURA LA SCENEGGIATURA"><img title="il pugile Clemente Russo" alt="ESCE TATANKA, MA LA QUESTURA DI NAPOLI CENSURA LA SCENEGGIATURA" style="float:left" src="http://www.openjournalist.com/upload/78/402_0_mini.jpg"/></a><p>Il pugilato come maniera di uscire fuori da una vita altrimenti destinata alla strada e alla camorra. Con “Tatanka”,  il film tratto dal libro &#8220;La bellezza e l’inferno&#8221; di Roberto Saviano che ha esaltato le doti del pugile Clemente Russo, il cinema torna a parlare di impegno ma  ... <a href="http://www.openjournalist.com/?p=402" title="ContinueReading">&raquo;</a></p></span>]]></content:encoded>
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		<item>
		<title>UOMINI SENZA LEGGE - HARIJ AN AL QANOUN - IL CINEMA ALGERINO SI RACCONTA NELLA CORNICE DEL FESTIVAL DELLA CINEMATOGRAFIA FRANCESE</title>
		<link>http://www.openjournalist.com/cultura/cinema/uomini-senza-legge/</link>
		<comments>http://www.openjournalist.com/cultura/cinema/uomini-senza-legge/#comments</comments>
		<pubDate>Fri, 29 Apr 2011 16:47:35 +0000</pubDate>
		<dc:creator>dimitribuffa</dc:creator>
		
		<category><![CDATA[Cinema]]></category>

		<category><![CDATA[ABDELEAZIZ BOUTEFLIKA]]></category>

		<category><![CDATA[Aggiungi nuovo tag]]></category>

		<category><![CDATA[ALGERIA]]></category>

		<category><![CDATA[FLN]]></category>

		<category><![CDATA[HOUARI BOUMEDIENNE]]></category>

		<category><![CDATA[LA MAN ROUGE]]></category>

		<category><![CDATA[OAS]]></category>

		<category><![CDATA[RACHID BOUCHAREB]]></category>

		<guid isPermaLink="false">http://www.openjournalist.com/cultura/cinema/uomini-senza-legge/</guid>
		<content:encoded><![CDATA[<span class="index-post"><a href="http://www.openjournalist.com/upload/78/395_0.jpg" rel="prettyPhoto" title="" alt="UOMINI SENZA LEGGE - HARIJ AN AL QANOUN"><img title="" alt="UOMINI SENZA LEGGE - HARIJ AN AL QANOUN" style="float:left" src="http://www.openjournalist.com/upload/78/395_0_mini.jpg"/></a><p>Non è difficile profetizzare per “Uomini senza legge” ( intitolato in arabo “Harij an al qanun”, cioè “fuori legge”) una grande accoglienza da parte del Festival di Cannes che l’11 maggio si aprirà sulla mitica Croisette. In Francia infatti gli spettatori più anziani e quelli pi ... <a href="http://www.openjournalist.com/?p=395" title="ContinueReading">&raquo;</a></p></span>]]></content:encoded>
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		<item>
		<title>Habemus Papam - L&#8217;ultimo film di Nanni Moretti</title>
		<link>http://www.openjournalist.com/cultura/cinema/mabemus-papam/</link>
		<comments>http://www.openjournalist.com/cultura/cinema/mabemus-papam/#comments</comments>
		<pubDate>Wed, 27 Apr 2011 09:46:09 +0000</pubDate>
		<dc:creator>alex</dc:creator>
		
		<category><![CDATA[Cinema]]></category>

		<category><![CDATA[habemus papam]]></category>

		<category><![CDATA[moretti]]></category>

		<category><![CDATA[NANNI MORETTI]]></category>

		<category><![CDATA[papam]]></category>

		<category><![CDATA[sacher]]></category>

		<guid isPermaLink="false">http://www.openjournalist.com/cultura/cinema/mabemus-papam/</guid>
		<content:encoded><![CDATA[<span class="index-post"><a href="http://www.openjournalist.com/upload/59/393_0.jpg" rel="prettyPhoto" title="" alt="Habemus Papam"><img title="" alt="Habemus Papam" style="float:left" src="http://www.openjournalist.com/upload/59/393_0_mini.jpg"/></a><p>Oggi parleremo di “Habemus Papam”, l’ultima fatica di Nanni Moretti.</p>
<p>Un film estremamente “morettiano”, in certe sue “uscite”, in alcuni  momenti surreali. Un film su un argomento assai poco “morettiano” come  può essere l’inquietudine di un cardinale appena eletto pap ... <a href="http://www.openjournalist.com/?p=393" title="ContinueReading">&raquo;</a></p></span>]]></content:encoded>
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		<item>
		<title>Route irish - L&#8217;altra verità - siete di sinistra? Volete un film ideologico? Allora meglio Ken Loach di Nanni Moretti</title>
		<link>http://www.openjournalist.com/cultura/cinema/route-irish-laltra-verita/</link>
		<comments>http://www.openjournalist.com/cultura/cinema/route-irish-laltra-verita/#comments</comments>
		<pubDate>Tue, 26 Apr 2011 17:38:18 +0000</pubDate>
		<dc:creator>dimitribuffa</dc:creator>
		
		<category><![CDATA[Cinema]]></category>

		<category><![CDATA[Aggiungi nuovo tag]]></category>

		<category><![CDATA[CONTRACTORS]]></category>

		<category><![CDATA[IRAQ]]></category>

		<category><![CDATA[KEN LOACH]]></category>

		<category><![CDATA[MERCENARI]]></category>

		<category><![CDATA[NANNI MORETTI]]></category>

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		<content:encoded><![CDATA[<span class="index-post"><a href="http://www.openjournalist.com/upload/78/388_0.jpg" rel="prettyPhoto" title="" alt="Route irish - L&#8217;altra verità"><img title="" alt="Route irish - L&#8217;altra verità" style="float:left" src="http://www.openjournalist.com/upload/78/388_0_mini.jpg"/></a></p>
<p>Ken Loach, al contrario di Nanni Moretti, non delude mai con la propria “purezza e durezza” ideologica. Magari “je meneresti”, come dicono a Roma, ma almeno non è un fighetto di regista che fa giocare a pallavolo i cardinali di un conclave che deve eleggere un Papa, solo per auto ci ... <a href="http://www.openjournalist.com/?p=388" title="ContinueReading">&raquo;</a></span>]]></content:encoded>
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		<item>
		<title>LIMITLESS: L&#8217;ALLUCINOGENO CHE ESPANDE IL CERVELLO - CHI NON PRENDEREBBE UNA DROGA COSI&#8217;?</title>
		<link>http://www.openjournalist.com/cultura/cinema/limitless-lallucinogeno-che-espande-il-cervello/</link>
		<comments>http://www.openjournalist.com/cultura/cinema/limitless-lallucinogeno-che-espande-il-cervello/#comments</comments>
		<pubDate>Sun, 17 Apr 2011 08:54:34 +0000</pubDate>
		<dc:creator>dimitribuffa</dc:creator>
		
		<category><![CDATA[Cinema]]></category>

		<category><![CDATA[Aggiungi nuovo tag]]></category>

		<category><![CDATA[GINSBERG]]></category>

		<category><![CDATA[LEARY]]></category>

		<category><![CDATA[LIMITLESS]]></category>

		<category><![CDATA[LSD25]]></category>

		<guid isPermaLink="false">http://www.openjournalist.com/cultura/cinema/limitless-lallucinogeno-che-espande-il-cervello/</guid>
		<content:encoded><![CDATA[<span class="index-post"><a href="http://www.openjournalist.com/upload/78/383_0.jpg" rel="prettyPhoto" title="" alt="LIMITLESS: L&#8217;ALLUCINOGENO CHE ESPANDE IL CERVELLO"><img title="" alt="LIMITLESS: L&#8217;ALLUCINOGENO CHE ESPANDE IL CERVELLO" style="float:left" src="http://www.openjournalist.com/upload/78/383_0_mini.jpg"/></a></p>
<p>Come cambierebbe la nostra vita se un potente allucinogeno ci desse accesso a quel 90% del cervello umano notoriamente non utilizzato dall’area della coscienza? Il dubbio, l’illusione che fu della “beat generation”, di Tymothy Leary e dei profeti dell Lsd 25, un tempo legale, fino al ... <a href="http://www.openjournalist.com/?p=383" title="ContinueReading">&raquo;</a></span>]]></content:encoded>
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		<item>
		<title>NANNI MORETTI: UN FILM ANTI CLERICALE SOLO A META’ - HABEMUS PAPAM E&#8217; UNA BOIATA PAZZESCA</title>
		<link>http://www.openjournalist.com/cultura/cinema/nanni-moretti-un-film-anti-clericale-solo-a-meta%e2%80%99/</link>
		<comments>http://www.openjournalist.com/cultura/cinema/nanni-moretti-un-film-anti-clericale-solo-a-meta%e2%80%99/#comments</comments>
		<pubDate>Thu, 14 Apr 2011 15:09:18 +0000</pubDate>
		<dc:creator>dimitribuffa</dc:creator>
		
		<category><![CDATA[Cinema]]></category>

		<category><![CDATA[Aggiungi nuovo tag]]></category>

		<category><![CDATA[CANNES]]></category>

		<category><![CDATA[FANDANGO]]></category>

		<category><![CDATA[GIANCARLO GALAN]]></category>

		<category><![CDATA[NANNI MORETTI]]></category>

		<category><![CDATA[Raicinema]]></category>

		<category><![CDATA[RATZINGER]]></category>

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		<content:encoded><![CDATA[<span class="index-post"><a href="http://www.openjournalist.com/upload/78/379_0.jpg" rel="prettyPhoto" title="" alt="NANNI MORETTI: UN FILM ANTI CLERICALE SOLO A META’"><img title="" alt="NANNI MORETTI: UN FILM ANTI CLERICALE SOLO A META’" style="float:left" src="http://www.openjournalist.com/upload/78/379_0_mini.jpg"/></a></p>
<p>“Habemus papam”. E forse anche “habemus Nanni Moretti”. Di certo però non “habemus” il coraggio di fare un film dichiaratamente anti clericale e blasfemo, tipo “Religiolous” o “Ipazia”. E nemmeno provocatorio come il “Codice da Vinci”. Tanto per capirsi. Nanni Morett ... <a href="http://www.openjournalist.com/?p=379" title="ContinueReading">&raquo;</a></span>]]></content:encoded>
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